Latest

2022/11/18 | CJ Sheu

Co-winner ‘Jeong-sun’ Vividly Portrays Patriarchal Ageism

‘Jeong-sun’, co-winner of the 2022 Golden Horse Asian Cinema Observer Recommendation Prize, is a masterful work of social realism that brings us into the life of a woman with magnanimous compassion.

2022/11/17 | CJ Sheu

Co-winner ‘Autobiography’ Complexly Explores the Corrosions of Power

Indonesian film ‘Autobiography’, the co-winner of the 2022 Golden Horse Asian Cinema Observer Recommendation Prize, explores relationships defined by power, both historical and intimate.

2022/11/16 | CJ Sheu

2022 Golden Horse Asian Cinema Observer Report: Part 2

Our film critic CJ Sheu was at the Taipei Golden Horse Film Festival to review nominees for the Asian Cinema Observer Recommendation Prize. Here he gives the second of a two-part survey of the films: a Singaporean-Korean production along with films from Thailand, Hong Kong, and Taiwan.

2022/11/15 | CJ Sheu

2022 Golden Horse Asian Cinema Observer Report: Part 1

Our film critic CJ Sheu was at the Taipei Golden Horse Film Festival to review nominees for the Asian Cinema Observer Recommendation Prize. Here he gives the first of a two-part survey of the films, including entries from Indonesia, Japan, Macau, Hong Kong, and South Korea.

2022/10/28 | CJ Sheu

‘August at Akiko’s’ Calmly Reflects on Hawai‘i’s Colonial Trauma

Trauma and dispossession are at the heart of ‘August at Akiko’s’. But a soaring jazz score and sweeping cinematography suggest new directions and the possibility of moving on.

2022/08/19 | CJ Sheu

‘Formosa Betrayed’ Barely Scratches the Surface of Taiwan’s History

‘Formosa Betrayed’ tries to build a political thriller around a mystery in an unknown land ruled with an iron fist. It’s empty didacticism — and less than thrilling.

2022/06/22 | CJ Sheu

‘After Yang’ Is Infused With Asian Americanness

‘After Yang’ is a sci-fi grounded in a plausible future history, conveying an uncanny sense of frisson familiar to Asian Americans, American Asians, or indeed anyone caught between two cultures in hard-to-delineate ways. The film is part of the 2022 Taipei Film Festival.

2022/05/26 | CJ Sheu

‘Ink & Linda’ Celebrates Artistic Kismet

Two completely dissimilar people bond over a common project. The result is a radical story of artistic creation.

2022/04/23 | CJ Sheu

Zhang Yimou Crafts an Unusual Propaganda Film with ‘Snipers’

‘Snipers’ is an unapologetic Chinese patriotic melodrama. It’s not for everyone, but there were times that it was able to hint at a more multifaceted story.

2022/03/29 | CJ Sheu

What’s in a Slap?

Smith was wrong to slap Rock, in public or in private. And Rock and ABC were wrong for approving the joke. But commentators are also wrong for treating this incident the same as they would had all three people involved been White.

2022/03/28 | CJ Sheu

‘Microhabitat’ Is an Ozu Adaptation in Both Story and Heart

No matter how desperate Mi-so’s situation is, she’s always more concerned for those around her. Our view of her suggests that the critique is not just of modernity, but of contemporary capitalism.

2022/02/19 | CJ Sheu

Boredom Gives Rise to Experimentation in ‘The Cloud in Her Room’

Films in the quarter-life crisis genre often treat the drifting ennui of young adulthood as an aberration, or at most a regrettable rite of passage. But what if the ennui itself is what gets you through?

2022/01/04 | CJ Sheu

‘Being the Ricardos’ Turns ‘I Love Lucy’ into the Nicole Kidman Show

‘Being the Ricardos’ has divided critics on everything but one point: Nicole Kidman is a revelation.

2021/08/30 | CJ Sheu

The Unexplored Existential Angst of ‘Night Drive’

Between the trendy conceits of time travel and taxi drivers taken hostage, ‘Night Drive’ is an original and weird tale.