2022/03/21 |
‘The Dawn of Everything’ Is a (Qualified) Masterpiece
‘The Dawn of Everything’ not only shows that there are alternatives to neoliberal patriarchal settler capitalism. It tells a compelling story of how we “got stuck” where we are now.
2022/04/27 |
‘Everything Everywhere All at Once’ Is the Only Valid Title for This Galaxy-Brained Film
‘Everything Everywhere All at Once’ fully lives up to its title.
2022/01/04 |
‘Being the Ricardos’ Turns ‘I Love Lucy’ into the Nicole Kidman Show
‘Being the Ricardos’ has divided critics on everything but one point: Nicole Kidman is a revelation.
2022/03/29 |
What’s in a Slap?
Smith was wrong to slap Rock, in public or in private. And Rock and ABC were wrong for approving the joke. But commentators are also wrong for treating this incident the same as they would had all three people involved been White.
2022/07/29 |
‘Shalom Taiwan’ Is Cloying, Superficial, — And Thought-Provoking
‘Shalom Taiwan’ doesn’t amount to much. But it is, amid its unrelenting mediocrity, thought-provoking.
2022/06/22 |
From Folk Hero to Video Game Character: ‘The Legend of Tianding’
Based on a Taiwanese folk hero, ‘The Legend of Tianding’ is a game with stunning period aesthetics, engrossing action, and political relevance.
2022/08/19 |
‘Formosa Betrayed’ Barely Scratches the Surface of Taiwan’s History
‘Formosa Betrayed’ tries to build a political thriller around a mystery in an unknown land ruled with an iron fist. It’s empty didacticism — and less than thrilling.
2022/07/19 |
I Have Some Questions about ‘What To Do with the Dead Kaiju?’
What does a reviewer do with a film like ‘Dead Kaiju’?
2022/01/31 |
‘Moonlight Shadow’ Is the Film Edmund Yeo Was Born To Make
Edmund Yeo’s Japanese-language debut ‘Moonlight Shadow’ is a life-affirming fantasy.
2022/08/11 |
Part of the Japanese Revolution in Fashion, Issey Miyake Changed the Way We Saw, Wore, and Made Fashion
Issey Miyake rejected terms like “fashion,” but his work allowed much of the world to reimagine itself through clothing.
2022/09/20 |
A Vivid Future, Rooted in Legend: Red Candle Games and the Making of Nine Sols
A successful crowdfunding campaign has delivered ‘Nine Sols’, a new title from Taiwanese game developer Red Candle. Its Taoist-cyberpunk imagery and action gameplay is a major break from previous hits ‘Detention’ and ‘Devotion’.
2022/05/26 |
‘Ink & Linda’ Celebrates Artistic Kismet
Two completely dissimilar people bond over a common project. The result is a radical story of artistic creation.
2022/11/16 |
2022 Golden Horse Asian Cinema Observer Report: Part 2
Our film critic CJ Sheu was at the Taipei Golden Horse Film Festival to review nominees for the Asian Cinema Observer Recommendation Prize. Here he gives the second of a two-part survey of the films: a Singaporean-Korean production along with films from Thailand, Hong Kong, and Taiwan.
2022/04/23 |
Zhang Yimou Crafts an Unusual Propaganda Film with ‘Snipers’
‘Snipers’ is an unapologetic Chinese patriotic melodrama. It’s not for everyone, but there were times that it was able to hint at a more multifaceted story.
2022/06/22 |
‘After Yang’ Is Infused With Asian Americanness
‘After Yang’ is a sci-fi grounded in a plausible future history, conveying an uncanny sense of frisson familiar to Asian Americans, American Asians, or indeed anyone caught between two cultures in hard-to-delineate ways. The film is part of the 2022 Taipei Film Festival.
2022/12/02 |
‘The Thieves’ Is a Next-Level Heist Film
‘The Thieves’, a Korean heist film released ten years ago this month, is cinema at its best.
2022/11/15 |
2022 Golden Horse Asian Cinema Observer Report: Part 1
Our film critic CJ Sheu was at the Taipei Golden Horse Film Festival to review nominees for the Asian Cinema Observer Recommendation Prize. Here he gives the first of a two-part survey of the films, including entries from Indonesia, Japan, Macau, Hong Kong, and South Korea.
2022/10/28 |
‘August at Akiko’s’ Calmly Reflects on Hawai‘i’s Colonial Trauma
Trauma and dispossession are at the heart of ‘August at Akiko’s’. But a soaring jazz score and sweeping cinematography suggest new directions and the possibility of moving on.