What you need to know
Peppa Pig might be the perfect vehicle for China's campaign of international integration.
By Hiu Man Chan
The UK children’s animation Peppa Pig has caused a storm in the media both at home and in China recently with the announcement of Alibaba Pictures and Entertainment One’s co-produced film “Peppa Celebrates Chinese New Year,” which is scheduled to be released on the first day of the Lunar New Year: Feb. 5, 2019. The chemical spark for this venture came from the fortuitous coincidence that the coming year is the Year of the Pig.
While the character of Peppa has been popular with Chinese children and young audiences for some time, a feature film to be released during the New Year holiday is clearly a strategic move. Despite some Chinese audiences expressing their disappointment with the film’s combined animation and live action format, there is little doubt that “Peppa Celebrates Chinese New Year” will do very well at the box office over the national holiday period. It could even reach a new record in box-office opening sales for British content on Chinese screens.
To be truly international China’s market needs to be continuously regulated, but as the Chinese government cannot do this alone, external support and inspiration are crucial.
Although currently owned by Canada’s Entertainment One, Peppa Pig’s British origins and identity have been celebrated on a number of occasions as part of modern diplomatic efforts. For instance, the British Embassy in Beijing recently used the story quite effectively by inviting Chinese twins who have been fans of the British cartoon to have tea with the Ambassador, and this will be followed by a visit to the UK. The character has also been used by other organizations such as VisitBritain and the British Council for their campaigns. As part of this ongoing trend, perhaps a copyright campaign could be launched to address a wider issue concerning international trade and foreign policy between China and the UK.
Although China is known for its habit of producing fake products, its government has in fact increasingly invested in efforts to crack down on illegal products in recent years, including Peppa Pig merchandise, in order to improve collaborative opportunities with global creative companies. However, as well as taking legal action to regulate its market, public education is equally important.
Therefore, cultural organizations could use the opportunity provided by the release of “Peppa Celebrates Chinese New Year” to raise social awareness around copyright issues in China. The campaign could be carried out via a short animation which would feature Peppa Pig and other characters telling a story to encourage Chinese audiences to respect the trademark of the British cartoon and to purchase legally produced merchandise. Furthermore, information about what copyright is and why it is important could also be included, in language that is comprehensible to both adults and children. The short film could then be played as part of the trailers shown before the Peppa film screening. It could also be played in public spaces such as metro stations, bus stations and shopping malls.
The realization of such a campaign would require the voluntary involvement of a number of organisations. However, if we think about its potential long-term effects, the initial outlay of time and effort would be well worth it. To be truly international China’s market needs to be continuously regulated, but as the Chinese government cannot do this alone, external support and inspiration are crucial. If Peppa has the magic to produce a breakthrough like this, why not give her a chance?
Peppa Pig’s commercial potential in China extends far beyond the TV series and this new film; its trademark is attached to a great variety of merchandise including books, toys and even a theme park. It is this unique popularity that offers a perfect opportunity for a campaign to be established which could send the right message to young audiences in China while preparing them to be fully connected with the modern world order.
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The News Lens has been authorized to republish this article. The piece was first published here by Asia Dialogue, a website published by the University of Nottingham's Asia Research Institute.
TNL Editor: Nick Aspinwall (@Nick1Aspinwall)
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